“Every new medium is a machine for the production of ghosts.” So writes John Durham Peters in his brilliant and strange 1999 history of communication (and its failures), Speaking to the Air. At the heart of that study is a dialectical, prophetic effort to show that our purported yearning for error-free intersubjective encounters has always veiled a kind of obverse mystery: a “felicitous impossibility of contact” wherein we long for each other, ourselves, and a different world. Whenever technology is drafted into the service of “communication”, the resulting devices inevitably service that antinomic condition of spectral solitude, silence, and interception. In this affecting essay/experiment, Julian Chehirian goes looking for the history of telecommunication, and is left sitting in the slim shadow of a lightening rod, listening to a voice from beyond the grave.